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Sderot\ Faces

Prior to the production of Shooting in Sderot, we have constructed a photo essay of some faces of Sderot with street style photography. Our objective for this project is to visually convey the emotions of the people living in the city, whether they are happiness, indifference, or any other. We want to tell Sderot’s story in a way that can be universally understood, and what better way to do that than with photographs.

We went into the city with a mission to see and understand how people there live. We shot them in their workplaces, at their most frequented places in town, and with their families. We hope that this project brings the world one step away from politics and one step closer to the humans of Sderot.

We want to prove that all people- no matter where people live, what their beliefs are, or what they do with their time- are the same. We all have fears, we all struggle, and we all have a pressing urge to be happy. We hope that our photos can show some reality of the people that live in Sderot regardless of politics, economics, and unawareness.

 

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Shooting in Sderot; Characters

הסוסיתא של הרצל - נער רץOhad Malka (17) films his mother, Yaffa, a 38 years old hairdresser whose husband David disappeared two years ago. Ohad and his mother live together and have a close relationship. During the filming, Ohad discovers that Yossi, a policeman from the local station where his father had also served, is dating his mother. Yaffa is certain that Ohad expects her to wait for his father, but at the same time, she dreams of a man who will stand at be her companion and thus allows Yossi to get close. Through his film, Ohad sets his mother free to pursue a new life, gets to know Yossi, and with his help, relinquishes his ties to his father who will never return.

הסוסיתא של הרצל - מצלמים נער רץTal Ben Harush (17) is a closet homosexual. He is the son of Etti and Hananya, and films his parents who have been married for over 25 years. His mother, Etti, was a famous belly dancer.  Hananya was a man she met through her show.  After she married him, he became a violent man responsible for ending her career and the death of their eldest daughter. At the beginning of the story, Hananya is hit by a Qassam missile at his workplace. Throughout the film, Etti conducts a one-way dialogue with a comatose man, lying helplessly in the hospital bed. Hananya, for the first time in his life, is forced to “listen” to what she has to say. Tal too settles his score with his comatose father, telling him about his sexual tendencies and introducing him to Ofer, his boyfriend. The plot thickens when hospital officials ask Etti to sign an organ donation form, forcing her to make a terrible choice.

הסוסיתא של הרצל - מצלמים מרחוק שלט שדרותLibi Hazanov (17) is the youngest daughter of a Caucasian family. She is a modern cynical and rebellious teenager, who refuses to give into pressure from her parents to become ultra religious like her eldest sister Caro in order not to serve in the army. She dedicates all her free time to her one great love, music. She plays rock music and refuses to sing in any language besides English to rebel against Israel, against the people who have forgotten her and her friends in the tiny “godforsaken” corner of the country. Her dream is to leave Sderot and and to make it big in the Tel Aviv music industry. She still can’t take that final step to leave however.  At the same time she films her sister, Caro, who is engaged to marry  a man named Herzl. The wedding is cancelled after Herzl loses all the money meant for the wedding in a casino. Now Libi’s parents refuse to let them get married, but Herzl refuses to give up hope that they will be together.

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Friends Enemies: the story

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Script and concept: Jacques Bacry, Ibtisam Mara’ana

Producers: Jacques Bacry, Avi Bohbot

Languages: French, English, Hebrew, Arabic

Length: 90 Min

35mm

Production Status: In Development

 

A desperate Palestinian woman visits a charity clinic in East Jerusalem with a desire to become sterile. There she forms an impossible friendship with her gynecologist; a Jewish woman who has just abandoned her uppermiddle-class life in America. Will their friendship prove true enough to withstand espionage, manipulative secret agents, abusive husbands, politics and terrorism?

 

SYNOPSIS

MIRIAM WEISS (37, American) lost and confused, arrives in Israel with the hope of starting over. As Ben Gurion Airport security agents interrogate her, we learn that she has just left her very comfortable upper-middle class life in New York to volunteer at a free women’s clinic in East Jerusalem. She is running away from something, which left mysterious to the audience.

Miriam’s first day on the job is absolute chaos and leaves her unsure if her background as a gynecologist is enough qualification to deal with the cultural and personal issues that come with her new patients. The language and cultural gap inside and outside the office quickly takes a toll on Miriam.  It does not take her long before she wants to give up. Before she can quit however, in walks LEILA BACHIR (35, Palestinian); a stunningly beautiful woman from East Jerusalem and mother of three.  She is a new to the clinic and will forever change Miriam’s life.

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Leila has come to this clinic, despite her husband’s hate of Israelis, because she wants to have a operation to become sterile. She explains to Miriam that her husband demands another child, but that money is tight, and she thinks it would be irresponsible to bring another child into her family. Noticing by her dress that Leila comes from wealth, Miriam senses that there is more to this issue than what Leila is telling her. An unspoken bond begins to form between doctor and patient and Miriam’s sense of purpose is renewed. She decides to stay and do everything in her power to help Leila.

At home, tensions increase between Leila and her husband, SAMIR, who has been selected by “Al Quds” to aid in a terrorist plot because of his financial success from doing business with the Israelis. If he does not comply, they threaten to make a martyr out of Leila and Samir’s oldest son: Ali. Leila becomes more determined to have the operation and continues to lie to her husband, convincing him that she is seeing Jewish doctors because they are the only ones who can help her become more fertile.

When Leila and Miriam meet again, Miriam discovers that Leila is pregnant. Leila becomes hysterical and Miriam calms her by revealing a secret she has never told anyone before; that she has once had an abortion. Overcoming her inherited mistrust of Jews, Leila realizes that Miriam is much like herself. She begins to believe that Miriam is truly there to help her and begins to fully trust a Jew for the first time in her life. She too reveals her secret; that she has become disillusioned by the fanaticism and violence that surrounds her.  She does not want to bring another child into such a cruel world and risk having him or her become merely another suicide bomber.

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A date is set for the abortion to be performed by a colleague of Miriam’s. However, the operation must take place in Tel Aviv, so Leila must make up a lie to convince her husband to let her travel into Israel proper.

Miriam meets DORON; a very handsome and charismatic Israeli man,when he rescues her purse from a pocket thief. Despite her reservations about getting into a relationship, she falls very quickly for Doron.  His rugged Israeli charm is new and exciting for Miriam. He wants to know all about her, her past life, and her life here – this care and wonder entrances her. Through this relationship, it is revealed that Miriam came to Israel was running away from a dead-end life. She felt unchallenged by her work and unloved. The only man she ever loved, an older married colleague, abandoned her when she told him she was pregnant with his child.

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Doron’s role in her life is not based on love however.  He lies to Miriam about being a student and working as a tour guide in the Old City.  In reality, he is a Shabak (ISA) intelligence agent and she is his mark. He has is only courting Miriam in an effort to get information on Leila and her family’s involvement in terrorist activities.

On the day of the abortion, Leila travels into Tel Aviv under the guise of needing “fertility treatments.”  Her husband cunningly orders her to take a camera to take pictures for him to use later in the planning of a terrorist attack.  Doron has slyly arranged for a driver to take them from the clinic to Tel Aviv to keep a close eye on Leila. The appointment upsets Leila when she learns that her body is not currently fit for an abortion at the moment. In light of the troubling news, Miriam decides to raise Leila’s spirits and have a day at the mall. It is an eye-opening day for both of them.  Miriam becomes aware of the discriminatory behavior Leila and other Palestinians face on a daily basis. Meanwhile, Leila discovers her inner femininity by reminiscing over her forgotten dreams. This event filled afternoon quickly cements their improbable friendship.

However, their wonderful bonding time is ruined when Leila and Miriam are arrested for taking souvenir pictures in a secure area. The police reveal to Miriam in a private interrogation that Leila was a conspirator in a terrorist attack from 15 years ago.  They show her that Leila is responsible for an attack that killed many children. Miriam refuses to believe them, convinced that their story is rubbish.

When Miriam finally gets home, she discovers Doron’s secret. She realizes that he has been spying on her and he reveals his true career to her.  He begs Miriam to understand that he really cares for her and is only doing this job to protect her. Betrayed by a man she loves and she angrily kicks him out. What started out as such a great day has left Miriam torn and confused.  She is unsure of whom to trust and feels used by everyone in her new life.

After a dramatic confrontation with her husband, Leila decides that the only person who really cares about her well-being is Miriam. In order to stop her husband’s soon to come terrorist attack, she seeks out Miriam to tell her everything. Miriam is cold and distant and treats Leila with suspicion. In an effort to prove her loyalty to their friendship, Leila admits everything to Miriam about her past and how she was forced into cooperation. She reveals to Miriam that her husband is hiding explosives in their house.

Having no one else to turn to, Miriam bitterly tells Doron what she has found out and Samir is subsequently arrested. However, the terrorist plot is still in motion. Feeling truely betrayed, she ignores Leila’s calls and buys a plane ticket home. On the day she finishes packing her office, Leila bursts through the door. Leila explains that her oldest son, Ali is missing. Miriam’s instinctual love for Leila kicks in and they go to Leila’s house finding DVD from “Al Quds” featuring Ali. It is a martyr recording of Ali explaining the suicide attack he was about to commit.

Abu_Dis-75513Leila breaks down but Miriam insists that it is not too late. They use clues from the recording to figure out where Ali might be and split up to find him. Miriam gets to him first, and tries to reason with him. Ali cries and begs Miriam to take care of his mother. He opens his jacket and reveals the bomb strapped to his chest. The Israeli Defense Force is already already there however.  All around are Israeli sharp shooters ready to gun down Ali.  The IDF clears the area and an agent carries Miriam against her will to safety. Another agent calls out to Ali in Arabic, telling him that they can help him will help him. It falls on deaf ears as Ali is engulfed in the flames from his bomb.

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The Feather from Dollyland

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“The Feather from Dollyland” is an animated film for the whole family. In a modern legendary tale of the eternal bond between children and their dolls, the story, told from the dolls point of view, is a fun and thrilling adventure.

Doly Land

Animation Adventure > 90 Min. > 3D and Flash Animation

Writer: Avi Bohbot
Producer: Avi Bohbot
Characters Design: Pil Animation
Language: English
Source: Chaos Films
Production Status: In Development, First draft of script

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boy and girl
Dollyland is an enchanted and magical kingdom where all the dolls live without man. In the distant past, man and doll lived happily together. But the dolls were tired of outliving every child they belonged to, for dolls never die. One day, all the dolls that were abandoned by the aging children fled and created Dollyland. The land of the Dolls was such a success, that eventually all of the dolls had ventured to live there. A new world was created. A world where man lived without doll and doll lived without man.

And for a long time, all was fine…until now. The dolls of Dollyland started feeling a deep, unexplainable loneliness. The king of Dollyland, the eldest doll in the kingdom, became ill. And like the rest of the dolls, his health was deteriorating. But his was in a much quicker pace. Pappydi, King and founder of Dollyland…was dying.

Princess Dolly, granddaughter of the king, decides to gather her friends, and, against her mother’s wishes, head out on a journey to find the legendary Mansland. Dolly must make haste, for time is running out for her grandfather…and all the dolls of Dollyland alike.

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Aftermath

G-ma+G-pa wedDrama, 90 Min.,  35mm

Directors: Joshua Faudem

Writer: Joshua Faudem and Lauren Sabel

Producers: Karla Stojakova, Avi Bohbot

Languages: German, Czech

Source: Axman Production, Chaos Films

Production Status: In Development, Raising Funds

Story Overview

It is 1942 Prague, and World War II and Nazi occupation is at its height. When the Neubower family receives an unexpected knock on their door, they are worried. The Neubower’s are Jews living in constant fear and uncertainty. The man at the door is Oswald, a young Czech-German soldier. But neither are aware of the other’s true identity. Oswald came simply in search for a spare bedroom. But he stays for something much more profound: a love at first sight encounter with the Neubower’s 19-year-old daughter, Margit.

For a year, the routine is the same: Oswald changes in the hallway from his army uniform into civilian clothes before entering the Neubower household. He alternates between identities because he respects the Neubowers, and likewise they appreciate the food rations and protection he provides. Oswald respects the family so much, that he hides his true feelings for Margit. He channels his love into creating beautiful drawings of her. When Margit discovers his sketchbook, their undying love for one another is hidden no more.

G-pa 001Curfew laws prohibit Jews from leaving their houses after 6 pm. But Oswald and Margit’s romance cannot continue to be confined within the walls of the Neubower home. Oswald so desperately wants to date Margit. He wants to walk in the park with her, take her to the movies, and enjoy her company freely. He figures nobody will suspect that a Jew is in the arms of a German soldier, and thus Oswald gently takes off Margit’s yellow star and puts it in his pocket.

The romance ends when a deportation notice arrives at the Neubower’s home, informing the family they are being re-located to Therezienstadt. Edvard, a family friend and respected doctor in Prague, tries using his status to save the family. It is unsuccessful. Oswald tries saving the family too, but can only save Margit. She is extremely torn over who she must decide to abandon. Her mother and father tell her to stay with Oswald, but in the end she decides she cannot leave her family. Completely heartbroken, Oswald and Margit’s love will have to survive if they ever want to see each other again.

At Therezeinstadt, Margit is assigned to work at the train station’s platform, abiding by a list of Jews to send to Auschwitz. One day Margit sees her family’s names on the deportation list. Margit’s boss lies to her saying that he will try to free them from the list even though he knows it is impossible. The next day, Margit is waiting for her family to be taken off the train when it starts to leave the station. Her family members scream Margit’s name as she chases alongside. Her boss grabs her and holds her back. She becomes powerless in the destiny of her only remaining loved ones. For the rest of her life Margit will not forgive herself for not being able to save her family.

It is 1945, the war is over and Prague has been liberated by the Red Army. Upon liberation from a steel factory at a work camp near Auschwitz, Margit – bone thin, alone and sick with typhus – returns to Prague. She goes to the Jewish community to see if there is any news about her family, but no such records exist. One of the first people she goes to is her father’s old business partner, whom she quickly discovers has taken advantage of the Neubower family by becoming wealthy from their forgotten valuables. He throws Margit out of his new apartment, but gives her the only thing that remains from Margit’s former life: a family photo album.

Luckily, Margit finds Edvard to welcome her into his home. Edvard is the only trustworthy person in Margit’s life, and becomes like a father to her. Every night they sit around the radio waiting to hear the names of returned refugees.

he4b02-0779293-mainWhen all other Czech-Germans are being deported from Czechslovakia, Oswald comes back. He has just escaped an American POW camp, and has crossed Europe in a desperate search to find his lost love Margit. In Prague he first visits her old apartment, which is occupied by another family. He then goes to the Jewish community, who give him Edvard’s address. Dressed in old, dirty civilian clothes, Oswald knocks on the door. Margit opens. Oswald has spent days searching and years waiting for this very moment, and as their eyes meet, love at first sight happens for a second time.

Oswald is warmly welcomed into Edvard’s home. He warns Oswald of the turbulent political situation in Czechoslovakia: The Russian Communists have a stronghold on the country, and the Czech people have turned violently against Czech-Germans. Oswald desperately wants to leave. But Margit cannot; she insists her family will return. Oswald, out of love for Margit, agrees to stay, but his true identity now needs to be concealed.

In Margit’s bedroom she shows Oswald the only sentiment she has left from the war: the half-full photo album of her family. She tells Oswald that she wants to complete the album, but also shares terrible news: the typhus has made her barren. Any emotion Margit has left is now suddenly drained. As Oswald holds Margit tightly against his chest, tears streaming down her face, he tells her that it is not children he needs… she is.

PragueSpring2Oswald convinces Margit to visit his mother, Rosa, who was deported to Austria a few months prior. Oswald’s father was sick and died during the war, and Oswald has not seen his grieving mother since. Margit is nervous, but grants Oswald this favor anyway.

As they cross the border into Austria, Oswald asks Margit to marry him. She at first says no, as it is unfair to Oswald that she cannot have children. But when he asks again, she says yes.

Rosa is immediately distant from Margit when she picks them up at the train station. Rosa thinks Margit is wrong for Oswald since she is Jewish, infertile, and stubborn for remaining in Prague.

At dinner, Oswald announces that he and Margit are engaged and will remain in Prague until Margit’s family returns home. Rosa escorts herself from the table. Later, Oswald and Rosa speak privately on the porch. Rosa says Margit is too emotionally destroyed to be a good wife. She also tells him Margit’s family is probably dead, and that she needs to face the realities of the war and world.

Margit overhears their conversation, and immediately packs her belongings to leave. But before she can do so, Oswald catches her and assures her they will leave the next day.

Upon returning to Prague, Edvard helps Margit and Oswald financially to build up their new life. Oswald gets a job at the National Theater, and they start constructing a cottage in the Prague countryside to live out the remainder of lives in secrecy. It is the first time that they have developed a routine as a married couple.

G-maIt is now 1948. The radio spits out Communist propaganda: The democratic government has been overthrown for the better of the country. Martial law has been declared and the borders have been closed. Our great country is surrounded by enemies of the state.

Upon hearing the news, Oswald frantically starts packing but Margit still refuses to leave. Margit and Oswald’s relationship becomes strained because Margit’s dwelling on the past is affecting the outcome of their future.

When the Communists begin conducting show trials, Margit comes to terms with the realities of the situation. They are packed and ready to flee to Austria when Oswald’s good friend and co-worker turns them in.

Oswald and Margit are taken in for questioning by the police. They beat Oswald and insist he sign a pre-written confession stating that he fought for the Germans but Oswald refuses. Meanwhile, Margit is being verbally abused and interrogated in another room. She continues to insist that Oswald was taking care of his sick father during the war.

The officers promise Oswald they will get the records they need to prove he is lying. They reassign Margit and Oswald to jobs at a Communist steel factory and say that they will be watching them closely. A new routine for the couple develops.
Edvard is soon arrested for being a suspected Nazi sympathizer. During the war, an assassination attempt on Heydrich, the head of the Gestapo, left him in critical condition. Edvard, the head doctor, had to provide medical treatment. For this, Edvard will be tried, convicted and sentenced to death. Margit is shocked to hear this news. She visits a broken Edvard in jail. In their final meeting, Edvard explains that he was just doing his job, and Margit comforts him by whispering a secret she has.

G-ma+G-pa + Mom

Oswald now absolutely insists they leave Prague. But, again, Margit refuses. In a fit of anger he tells her that her family is dead. But she tells him that this is not the reason she cannot leave. Rather, the journey is too arduous for a pregnant woman. Oswald’s eyes fill with water; their dream of starting a family is being fulfilled.

Oswald and Margit stand over Edvard’s fresh grave. A small gathering of people bow their heads in condolence. Oswald frees his hand from Margit’s, and moves it onto her belly. They look up at each other, eyes meeting yet again.

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Carried Away

Ronny’s life is crumbling before him.  He is a struggling actor who cannot find a gig.  His fallback job at a coffee house does pay him enough to meet his needs. Michal, his longtime girlfriend is fed up with Ronny’s aloof attitude. The necessities of day-to-day living are overshadowed in Ronny’s mind by his dreams and refusal to grow up.

Details

Drama w 90 Min. w 35mm
Writer: Avraham Shalom Levi
Producer: Avi Bohbot
Languages: Hebrew/English
Source: Chaos Films
Production Status: In Development, First draft script, Raising Funds

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Synopsis

Ronny believes his breakthrough has come when he auditions and gets the role of Jerry in Edward Albee’s play “The Zoo Story.” However, the project requires an immediate start and unpaid rehearsals, creating greater friction in Ronny and Michal’s relationship. Michal, who has given up her own dreams of becoming a painter for a more stable life, ultimately leaves Ronny.

Ronny confides in his long-time coffee shop customer Moshe, the city’s fool.  He is treated with mockery and ridicule by the city’s people but Moshe has a loyalty to Ronny.  As an act of kindness, he invites Ronny to his friend house for a night out. Moshe’s friend is Rima, a 68-year-old woman who, since the death of her husband, has been living alone.

Ronny wears his emotions on his sleeve, and Rima immediately recognizes something to be wrong. Ronny talks about his crumbling relationship, and Rima becomes a mentor for him.

Time passes, and all the issues of Ronny’s life come spiraling together. For one, he’s having great difficulty properly portraying Jerry from “The Zoo Story.” He can also no longer pay the rent for the apartment. Rima is there for Ronny, and invites him to live with her. This act becomes a turning point in their relationship. Where age was once a limiting factor in their relationship, now it knows no boundaries. As soon as Ronny moves in with Rima they realize their feelings of intimacy for one another are stronger than any age difference between them.

One quiet night, Ronny and Rima are talking on the porch. For the first time, Rima opens up to Ronny. She tells her story about her lost dream to act because of the abuse she took by her former husband. She was physically and verbally abused, and Ronny now holds and consoles her. The two share a kiss of deep passion.

The beach is a getaway for them. While age is not a factor for them, they are worried about how society may perceive their relations. As a result, they walk along the shore only in the early mornings. Dawn is the only time they feel comfortable enough to display affection in public.

Ruthy, one of Rima’s daughters, is the first to suspect something. She sees Ronny coming in and out of Rima’s house, and she convinces her other sisters that Ronny is romancing Rima in order to be written into the will. Rima is wealthy and her daughters pressure Rima to tell them the truth about her relationship with Ronny. She confesses her love for Ronny and explains them that he too loves her. The pressure from her children creates a strain in Rima and Ronny’s relationship.  Ultimately their romance is forced to end.

“The Zoo Story” is premiering, and Michal decides to buy a ticket to Ronny’s play. Michal is blown away with how brilliant Ronny’s portrayal of Jerry is. After the play, she visits him backstage and apologizes, telling him that she wants to rekindle their relationship. Ronny still longs for Rima but does not want to upset her life with her children and chooses to take Michal back.

When Rima finds out about Ronny and Michal, she is hit with a deep depression.  The pressure she feels from her family and from society is too strong for her to overcome. She does not try to fight for Ronny, despite desperately wanting to do so.

Michal and Ronny are happy together, but only because Ronny keeps his feelings for Rima bottled up inside. The two decide not to ever talk about their relationship again and his future now needs to take precedent over his past.

Rima has reached the end, she has cancer and is refusing to fight it.  Her children are the only loved ones that remain on her side.  In a dramatic scene she tells her children about the mistakes she has made in her life. But the one sure thing in her life, she confesses, was her love for Ronny. Before she dies, she wants to see Ronny one last time to deliver him a letter she wrote. But her eldest children refuse her request.

Soon after, Ronny recieves a phone call from the youngest child informing him of Rima’s fate.  All of the emotions he has kept bottled up suddenly emerge as he sprints to her house. The daughter who called him gives him the letter. He runs to their favorite beach, and reads her last note to him.

In the letter, she confesses her infinite love for him. She apologizes for the mistakes she made, including her apprehension to follow her heart and remain with Ronny. She tells him to continue to dream and asks him to never give up on his acting career.

The final shot is Ronny floating in the water, contemplating how he should let his future play out.

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Life Is Not a Movie

Mockumentary Feature flim w Video Betacam w 4X3
Comedy w 100 Min. w 35mm
Director: Avi Bohbot
Writer: Avi Bohbot
Producers: David Silber, Moshe Edri, Leon Edri, Avi Bohbot
Cast: Moshe Ivgi, Ronit Elkabetz, Dana Ivgi, Shlomo Tarshish, Musko Elkalai
Language: Hebrew
Source: United King, Metro Communications, Chaos Films
Production Status: Editing, Raising Funds
Avi Mushon purim creem
Seventeens years after the disappearance of a film director, the lost movie tapes from his unfinished project are found.  A private investigator is hired to unveil the mystery of this disappearance and looks to the tapes for guidance. This project will be a mockumentary, detailing the process of Israeli backstage cinema.

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The Sisyphus Syndrome

Soldiers of a non-combat army unit are tasked with placing the final stone in a border that will complete an international peace agreement. They deposit their precious cargo with military precision – in the middle of the desert. The result? A gala peace ceremony is jeopardized and Israel faces the prospect of a new war.

Comedy | 100 Min. | 35mm | Language: Hebrew

Director: Avi Bohbot
Writers: Haim Idisis, Avi Bohbot
Producers: David Silber, Moshe Edri, Leon Edri, Avi Bohbot
Source: Metro Communications, United King, Chaos Films
Production Status: Final draft of script, Fund raising

Sisyphus Syndrome was inspired by absurdist masterpieces such as Catch-22, M.A.S.H., Samuel Beckett’s Waiting for Godot, and Albert Camus’s The Myth of Sisyphus (after which the film is named). The script follows four stories that parallel and complement one another – and throw hilarious twists to an increasingly desperate situation.

091115-N-2456S-094 ATLANTIC OCEAN (Nov. 15, 2009) -- An MH-60S Seahawk, assigned to the "Nightdippers" of Helicopter Anti-submarine Squadron 5, prepares to deliver supplies aboard USS Dwight D. Eisenhower (CVN 69) during an underway replenishment. Eisenhower is conducting a three-week Composite Training Unit Exercise (COMPTUEX) in preparation for its upcoming 2010 deployment. COMPTUEX, scheduled by Commander, U.S. Second Fleet and conducted by a training team led by Commander, Strike Force Training Atlantic, is a joint/combined exercise conducted from Nov 3-24 off the East Coast of the United States. (U.S. Navy photo by Mass Communication Specialist 3rd Class John Suits/RELEASED)

Synopsis and Characters

In the heart of a disputed desert territory, a makeshift military border camp surrounds a large stone marker. The soldiers at this camp are in the midst of preparations for a rare ceremony, the likes of which this desert – ravaged by seven wars – has never seen: the placement of the final border stone – the culmination of a long and exhausting peace process. Arriving at the camp is Shabtai, a reserve soldier who only reported for duty so he could be released.

Meanwhile, a helicopter is carrying the last border stone to its official location, where the ceremony is to be held. But Uri and Rehavam, the pilot and copilot, are forced to set it down several kilometers from their designated target. The helicopter crew leaves two soldiers behind to guard the stone, their objections notwithstanding: Avram, the bugler assigned to the ceremony, young and energetic despite his asthma and poor physical condition that render him unfit for combat duty – and Shabtai, who is still confident that he’ll soon be sent home. Avram, an armchair psychologist and Greek philosopher, makes the last moments of reserve duty miserable for Shabtai, who still thinks of himself as strong and fit.

An army truck is racing to this ceremony, bearing a huge rolled-up red carpet. Two soldiers are stuck in the stifling rear compartment: Sultan and Dror, the former a proud experienced and cautious reserve combat veteran and the latter a rash, impatient, hotheaded youngster in compulsory service. They appear to be unable to communicate with the speeding driver. Sultan, the more seasoned warrior of the two, imagines that they’re already dead and that the apparitional vehicle is headed straight for Hell. Dror, who loves life, cannot reconcile himself with this morbid tale of death and hell, but we only find out if he’s actually dead or alive as the closing credits come up.

At the same time, in that same desert wilderness, Amos, a bloodthirsty combat soldier with a glorious battle history, is guarding Omar, who shares the same attributes. Neither is happy about the romantic peace taking shape around them. Omar is a prisoner due to be released during the ceremony in a symbolic act and Amos, his guard, is bored to death by his unchallenging assignment and by Omar’s quarrelsome demeanor. In a moment of weakness, Amos orders Omar to escape and then goes off to capture him. Also recruited to the chase is Dor, a trained military attack dog. They set out confidently, in the tradition of days gone by, but somehow Amos’s plans for a good time go astray and he finds himself involved in a desperate hunt in which he himself becomes the hunted.

The comedy concludes with a macabre funeral for Dor, the heroic dog, who fell in the line of duty. On his way, he picks up Pierre, a guard at the watchtower overlooking the border, even though he no longer has any idea where the border is exactly. What’s more, he can’t even determine whether Lipman is an enemy soldier or serving in the same army as himself, but in his solitude and anguish, Pierre joins him all the same.

On the way to the desert ceremony, the two gather up all the survivors of this misadventure. It now appears that all the snafus are part of one grand and precise plan. All the invitees ultimately arrive at the gala ceremony, if only to find out that there’s still one final border stone that must be rolled up the mountain once again until there is peace here.

091115-N-2456S-094 ATLANTIC OCEAN (Nov. 15, 2009) -- An MH-60S Seahawk, assigned to the "Nightdippers" of Helicopter Anti-submarine Squadron 5, prepares to deliver supplies aboard USS Dwight D. Eisenhower (CVN 69) during an underway replenishment. Eisenhower is conducting a three-week Composite Training Unit Exercise (COMPTUEX) in preparation for its upcoming 2010 deployment. COMPTUEX, scheduled by Commander, U.S. Second Fleet and conducted by a training team led by Commander, Strike Force Training Atlantic, is a joint/combined exercise conducted from Nov 3-24 off the East Coast of the United States. (U.S. Navy photo by Mass Communication Specialist 3rd Class John Suits/RELEASED)