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The Last Sermon

Jack Baxter from New York and Joshua Faudem from Jerusalem are survivors of a suicide terrorist attack. Now, thirteen years later, they are going on a cinematic journey around the world to Muslim communities to discover the voices of the tolerant majority. They believe the Muslims and non-Muslims they meet can be inspired by “The Last Sermon” of Prophet Muhammad (PBUH), delivered three months before his death in 632 C.E. –

“Behold! All of the practices done in the Days of Ignorance are now under my feet…There is no superiority of an Arab over a non-Arab or of a non-Arab over an Arab or of a White over a Black or of a Black over a White, except by righteousness and piety.” vlcsnap-2016-08-08-22h12m25s13

In April of 2003, Jack Baxter and Joshua Faudem were filming a documentary about Mike’s Place in Tel Aviv, a live-music blues bar where Israelis, Arabs, Europeans and Americans mixed and spent time together. One night, an Al Qaeda-linked British terrorist blew himself up at Mike’s Place, killing three people and injuring dozens more. Jack suffered severe wounds; Joshua continued to film, capturing the horrendous scene as it unfolded.

Now, 13 years after the attack, they are filming The Last Sermon. Jack Baxter and Joshua Faudem are determined to discover and showcase the myriad aspects of Islam and its true believers. They are traveling to Muslim communities around the globe; looking for artists, reformers, activists, community leaders – and dedicated fundamentalists. Their cameras are focused on surprising, unfamiliar characters audiences have never seen on screen before.

The Last Sermon of Prophet Muhammad (PBUH) can change perceptions, and inspire Muslim and non-Muslim alike:

vlcsnap-2016-06-30-10h21m37s147“Behold! All of the practices done in the Days of Ignorance are now under my feet. There is no superiority of an Arab over a non-Arab or of a non-Arab over an Arab or of a White over a Black or of a Black over a White, except by righteousness and piety.”

The Last Sermon is the equivalent of The Golden Rule: Love Your Neighbor As You Love Yourself. Prophet Muhammad’s final public words are a call to unite and speak out against the extremist violence that threatens the possibility of a peaceful future. Jack and Joshua’s lives were changed by terrorism – by individuals who professed Islam as their religion, and who believed their martyrdom mission was a blessing. The filmmakers not only hope to find their own answers and closure – they want to complete the kind of film they were trying to make thirteen years ago.

The journey begins in the United Kingdom. Jack and Joshua’s first stop is London’s Finsbury Mosque, where the Mike’s Place terrorists once worshipped. They continue their cinematic journey across Europe, a continent challenged with waves of refugees, then on to the Middle East and beyond.vlcsnap-2016-06-30-10h27m34s125

The representation of Islam is vital in changing opinions based on incomplete information and facts. Our plan is to present new and different individuals, and not just official spokespersons. Non-Muslim audiences will be exposed to a deeper insight into Muslim communities that are neither violent nor radical, providing an alternative, three-dimensional approach.

The boldness of our vision, the true-life experiences of the filmmakers, and the professionalism of our production ensures The Last Sermon will be a compelling film.

 

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Preshootings for “The Last Sermon”

Yesterday we left our office for some shootings at “Anna Loulou Bar” in Jaffa. There we joined a concert of Muhammad Mugrabi. A few months ago we met Muhammad first, visiting him in the Shuafat Refugee Camp near Jerusalem where he grew up. Now is a rap artist and part of the rap group “System Ali”. He is fascinated by our project and would like to support “The Last Sermon” in any way.

We thank you very much, Muhammad, for this beautiful evening and for the music. Dancing and working is always a good mix 😉

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Special Award at Animadoc for “Living with shadows”

WOOHOOO! WE’VE GOT IT!

We have been awarded the first prize at Animadoc Copro for “Living with Shadows”, directed by Ayelet Cohen and supported by The Claims Conference. We thank Orna Yarmut from Copro for hosting our project at Animadoc. Shahaf Ram created the animation, Meni Elias is our cinematographer, Amnon Carmi edited our trailer, inbar klingel and Andrei Rozenblat are our additional cameraman, Hadas Kalderon has preformed as Mania Horowitz, Professor Gideon Greif is our academic consultant, and finely we are lucky to have Dr. Michael Dickel as responsible for our international Outreach. Accidentally the GoogleDoodle of today is dedicated to Lotte Reiniger, animation pioneer, predated Walt Disney by more than a decade. Her work with Silhouettes resembles to our cinematic approach in this movie.

So now we will be looking for more production grants and funds and are excited to shoot this movie soon!

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The War After

Director: Avi Bohbot, Moshe Nachmias

Producer & writer: Avi Bohbot

Languages: German, English, Hebrew

Distribution: Chaos Films Ltd.

Production Status: Editing, fund raising

birkenau (104) How does one cope with a past they cannot overcome?
The War After follows the descendants of Nazi perpetrators and Jewish Holocaust survivors who embark on an extraordinary journey that begins in Berlin.

Carrying an unbearable weight, these descendants come together in a rare workshop that recreates traumatic events from the lives of their parents and grandparents. Led by an Israeli and German psychotherapist, these participants expose their emotional struggles through theatrical role playing. Inside the inner circle of this workshop and on a haunting train ride to Auschwitz, we witness deeply personal transformations that encase a remarkable therapeutic process.

Gaining insight into how the descendants of both victims and aggressors suffer today, The War After reveals the emotional carnage left in the wake of the Holocaust. A man, struggling to reconcile with the fact that his father was a friend of Hitler’s, shares his pain with a woman whose mother survived the camps only by accepting that her body must be resigned to the enemy.

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“In the workshop I represent the guilty side.” Hilda (Granddaughter of an SS Officer and Workshop Leader). The descendants of Nazis in the group arrive at the workshop feeling as though there is evil in their blood that must be cleansed. How do you redefine yourself as a compassionate, benevolent human being when you were raised by a generation of hate?

“As a child I was beaten so hard by my Mom and Dad.” Jacob Naor (Israeli son of holocaust survivors and Workshop Leader). The descendents of Holocaust survivors in this workshop are struggling to overcome complex layers of guilt and victimization. Some abused, some molested or abandoned by their parents, these participants bare the burden of knowing that their parents suffered in ways impossible to imagine. Does this diminish the pain they experienced in their childhood?
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On a mission to absolve their inherited guilt, the non-Jewish members ask the Jewish members of the group to travel with them to Auschwitz. The request is an impossible one for the descendants of survivors to accommodate, and their refusal sends a painful split through the group.

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Determined to confront their conflicted pasts, the descendants of Nazi’s board the train without their Jewish piers. Feeling abandoned, the journey is more difficult than expected. Entering the camp, we follow these Germans as they walk in the footsteps of ghosts. Invoking and recreating haunting scenes, each participant records a video diary of their experience. Sitting in the barracks, and standing in the showers, does confronting an incomprehensible past change your perspective of the present?


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Notes of Exile; the concerts

Concerts of the Traveling Pianist

Levontin Club – Maurice played at a hip gathering for world music and jazz lovers and swept his young Israeli fans off their feet. Despite being exhausted, he was still able to play enthusiastically and engage an audience a quarter of his age.

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Playing with Andalucian Orchestra –  Maurice was invited to play with a famous Israeli orchestra in Ashdod and Tel Aviv. He played North-African Jewish music of his youth alongside Chazans, religious Jewish singers, that brought him back to the days of his childhood in Algeria.

Playing in a Piano Bar –  In Tel Aviv, Maurice played in the dark, small ‘Bialik Café,’ named after Israel’s national poet.

Nostalgia in Jerusalem – Maurice played a concert in Jerusalem. Most of the attendees came from Algeria and Morocco, and listened to Maurice’s music in their childhood. It was a family gathering where people embraced each other with warmth to fill the shared emptiness of their lost ancestral land. At the concert, Maurice invited a 20-year-old man to play a duet alongside him. Their sounds harmonized and Maurice willingly passed down a profound musical legacy.

medioni015.01Festival in Jaffa – Maurice played his classical world music pieces at the ‘Blue’ Festival in Jaffa, where both Arabs and Jews were in attendance. When he started playing Arabic songs, the Arabs congregated to listen. Soon after, the Israelis joined them in dancing and clapping. Maurice is suddenly back at his roots, having again united cultures through his music.

The Return to North Africa – At the Andalusian Atlantic music festival in Essaouira in Morocco, Maurice played again in North Africa. His concert, which attracted hundreds of fans and world musicians, allowed him to return to the Jewish and Arab co-existence in North Africa – a paradise he never thought he’d see again.

 

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Notes of Exile; the synopsis

What is the film about?

The Journey of Music

As we follow the musical life journey of renowned pianist Maurice El Medioni, the dramatic narrative of the last 70 years of Algerian history  is revealed. Maurice’s story composes the story of a lost Jewish community as they went from centuries of harmonious coexistence to complete exile from their homeland.

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Music is a fundamental element of the film. It has journeyed alongside the Algerian Jews, and like the main character, has evolved alongside historical conflict. We will be using music and Maurice’s life story to paint a portrait of a formerly strong Jewish community.

The story is told through the eyes of Maurice El Medioni. His story covers all the events of the last century of the Algerian Jewish struggle. He has a personal conflict when it comes to Algerian history. On one hand this is his home, but on the other he was forced to exile. His music reflects this conflict, and his experiences and performances will provide fluid transitions into the stories and music of other Algerian Jews.

At age 83, Maurice finally immigrates to Israel, ending a long-time struggle in SL_Maurice-illus2maintaining a Jewish identity. Maurice bought an apartment to live out the remainder of his life in Natanya, Israel – home to many French Jews. Over the course of 2010, Maurice makes a concert tour throughout Israel along with other musicians. We followed the him on his tour.  

The film intertwines the aforementioned concerts, interviews with Maurice with factual and emotional depictions of the major events of Algerian history with Maurice’s musical genius.  The different genres and songs coinciding with different periods in Algerian history, seamlessly blend their musical elements with the factual elements of the Jews exile.

 

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Notes of Exile; the biography

Who is Maurice?

The musical Maurice El Medioni and the sad recent history of Algeria are the subjects of our documentary, “Notes of Exile.”  Through telling Maurice’s personal and musical journey, we have also documented the story of the turbulent history of the Jews of Algeria.

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His story began seventy years ago in the Algerian city of Oran. He was nine years old when his brother bought an old piano in the local flea market. Maurice came back from school to find the wonderful instrument that changed his life.  He began playing the piano that day and hasn’t stopped playing since.

Seven decades later, Maurice achieved international acclaim by winning a BBC World Music Award for his Cuban and Oriental musical synthesis album.

His musical story holds a unique insight into pivotal events in the history of the twentieth century and in the fate of the Algerian Jews. As a child, Maurice entertained Jewish-Algerian school friends with traditional French-Jewish songs. However, anti-Semitic laws dictated by Nazi-occupied France banished all Algerian Jews from school. He was not marred however, he used this free time out of school to devote himself to music. At age 13, Maurice’s  played piano to entertain American soldiers celebrating victory over the Nazi occupation of Algeria. It was here he was introduced to Boogie Woogie, Rumba, Jazz and other popular American music.

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In 1961, a year before the Algerian War of Independence liberated Algeria from France, tensions were high between Arabs and Jews. The streets of Algeria were transforming into a dangerous place. The lives of these Jews drastically shifted from a peaceful co-existence to a dramatic exodus of all Algerian Jews.  A million French colonists and all 160,000 Algerian Jews left for France and Israel to flee Arab violence.A chance encounter with Arabic musicians introduced a teen-aged Maurice to Arabic Rai music. As the 1948 Arab-Israeli War ensued, Maurice took part of the creation of a new Rai sound. In the 1950s, amidst Algerian civil war, his capacity to blend genres would lead him to become one of few Jewish performers in the Opera of Oran.

Maurice helped to establish what is now known as “world music;” a genre that mixes and synthesizes styles of piano playing from all over the world. His life and musical journey represents the exiled Jews of Algeria.  While forced into exile from his home, he did not give up playing.  He continued to refine and expand his style; becoming the great pianist he is today.